During the opening credits of A Million Ways to the Die in the West, Seth MacFarlane’s name appears in gigantic letters four times. Take heed of this as a warning, this film is a vanity project, but a funny bit of indulgence.
The larger scope of the sequel allows for Gareth Evans to flesh out the narrative, but too many chatty gangsters almost cripple the momentum between incredible action sequences that certify Evans’ ascension to a supreme action cinema maestro.
Following a long and intensive street racing sequence that opens Need for Speed, I’d had my fix of burning rubber, actors intensely staring out from behind a steering wheel, and enough ‘bros’ to make a dictionary want to take an early retirement. The problem was that there was another two hours of automotive spectacle left and nothing but constantly revving engines.
The side-saddle sequel to Zack Snyder’s 300 (he co-writes Rise of an Empire) is macho motivation and nothing more.
Director Alexander Payne crafts a striking portrait of a dysfunctional family and a refined piece of Americana that contains a wonderfully dry sense of humour.
Here’s a little piece I wrote for Graffiti with Punctuation about True Detective a few weeks ago.
After years of filmmakers fist-pumping the military superiority of the United States of America in cinema, Lone Survivor comes along to demonstrate that Americans have finally crossed over into the realm of their… Continue reading
The Robocop remake is frustratingly mediocre. It’s not a complete disaster but rather an ample catastrophe. Director Jose Padilha’s reinvention is bland compared to filmmaker Paul Verhoeven’s 1987 film, but a comparison between… Continue reading
Prepare for an onslaught of jokes about Labor Day. Gags about pies, a ridiculously long weekend, and Tobey Maguire in voiceover mode again (see: The Great Gatsby). It’s hard not to smirk a… Continue reading
So often the story of a revolution is confined to history books or fragmented across news coverage. The Square is an opportunity to see an upheaval in real-time. Director Jehane Noujaim pieces together… Continue reading
The Great Beauty is ripe for arty Euro film bingo. Cryptic religious imagery. Tick. More bare flesh than the nude Olympics. Tick. A dwarf. Tick. Before yelling “bingo” on co-writer/director Paolo Sorrentino’s new… Continue reading
During the screening of Her I attended someone’s phone let out a bleep. That person had the power to turn off their mobile device but the cinemagoer couldn’t stand to be disconnected for… Continue reading
In 1981 the United States Centre for Disease Control and Prevention published a document that reported the first case of AIDS on American soil. Medical professionals, scientists and suffers have been fighting the… Continue reading
A therapist’s couch is replaced with Disneyland in Saving Mr Banks. Author P. L. Travers (Emma Thompson) expels a few personal demons with the help of Walt Disney (Tom Hanks) and the production… Continue reading
What the American public wants in the theatre is a tragedy with a happy ending. I wish I’d thought of that line but it belongs to the author and literary critic William Dean… Continue reading