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Review – The Hangover Part 3

24 May

H3

When it comes to the ‘The Hangover’ sequels, we’re being punished for having a good time with the first film. If ‘Part 2′ was a clone of its predecessor, Part 3 is the genetic trash left over from trying to replicate the success of 2009.

After the death of Alan’s (Zack Galifinakis) father, his friends aka The Wolf Pack (Ed Helms, Bradley Cooper and Justin Bartha) decide he needs to be treated for “mental issues”. En route to a medical facility the group get kidnapped by a gangster (John Goodman) who demands they track down his nemesis, Mr Chow (Ken Jeong).

There is not a trace of humour to be found in ‘Part 3′. It’s mean spirited and the “comedy” crafts jokes from mental health issues, pointless profanity and dated Asian stereotypes. In the opening moments a giraffe gets decapitated. Remember when Fonzie jumped the shark on ‘Happy Days’? The moment has become synonymous with bad television and maybe “decapitating the giraffe” will eventually be associated with bad films. I was honestly waiting for someone to beat up a person in a wheelchair, but instead, co-writer/director Todd Phillips and screenwriter Craig Mazin, have a character chastise an elderly woman on an electric scooter. Jeong’s portrayal of Chow is as subtle as Mickey Rooney’s appearance as Mr Yunioshi in ‘Breakfast at Tiffany’s’ and it’s sad the actor would agree to this kind of humiliation. Even Galifinakis’ “man-baby” act is transformed from an odd misfit to an ignorant moron. Helms and Cooper barley register a presence in the film and they wander around like ghosts with big dollar signs in their eyeballs for the big payday they probably received to return for this nonsense.

The film scraps the concept of retracing steps from a heavy night of drinking in place of a road film. It changes the approach already taken in the two previous films, but it’s such a forced tactic and the lead actors share uncomfortable screen time going from location to location well aware the teat is running dry.

The only positive to come out of ‘The Hangover Part 3′ is that the future of this series continuing may have been snuffed out.

0.5/5

Cameron Williams
The Popcorn Junkie

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Review – The Call

22 May

Thecall

From a 911 emergency call centre in America, operator Jordan Turner (Halle Berry) fields the pleas for help with ease while the distressed callers hauntingly echo throughout the facility. Stabbings, shootings, suicide attempts, drug overdoses, women in labour, heart attacks, car accidents and more, with each call for help you wonder if aspirin is available at the candy bar. ‘The Call’ is an effective thriller that does an ace job of maintaining your elevated heart rate.

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Review – A Place for Me*

21 May

Place

The emotional shrapnel of a divorce scars a family of writers in ‘A Place for Me’. An acclaimed author (Greg Kinnear) and his teenage children (Lily Collins and Nat Wolff) are silently suffering after mum (Jennifer Connelly) leaves for another man.

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Review – Star Trek Into Darkness

9 May

Capture

The Star Trek franchise has always been known for its thoughtfulness while being grounded in the human experience of scientific endeavors and exploration; the core of all great science fiction. Director JJ Abrams delivered a blockbuster with brainpower with his 2009 reboot ‘Star Trek’. The spectacle remains in the sequel ‘Star Trek Into Darkness’ but the IQ takes a massive nose dive.

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Review – Drift

9 May

Drift1

When it comes to Australian surf safaris on film it’s a bit of a desert. Sure, on the documentary side there are lots of great surfing flicks, but for a country surrounded in water we just can’t nail a really good surfing drama but Drift has a pretty good crack at it.

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Review – Spring Breakers

6 May

SB

The ideals of freedom, paradise and the American dream pulse in a neon coloured, bubble-gum scented descent into darkness in ‘Spring Breakers’, one of the most potent pieces of satire and filmmaking to hit the screen so far this year.

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Review – The Place Beyond the Pines

27 Apr

pines

Robbing banks, crooked cops and politics don’t really factor into the any parental mantra, but co-writer/director Derek Cianfrance squeezes it into his guide to fatherhood in ‘The Place Beyond the Pines’ that, unfortunately, strangles the sublime moments with mediocrity.

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Review – Iron Man 3

25 Apr

im3

Clothes make the man, but does the armour make the Iron Man? Rather than lift Tony Stark/Iron Man’s stakes on the mythic superhuman scale, writer/director Shane Black strips back the character in ‘Iron Man 3′ to get to the core of who he is in a world where the unbelievable is increasingly becoming a reality. Do not fear of excessive navel gazing though because Black delivers a fiery extravaganza that is a collision between the comic book world and his resume of rapid fire action thrillers.

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Review – Oblivion

12 Apr

Obliv

High above the scorched landscape of planet Earth that has been destroyed by alien invaders called ‘Scavs’ there sits a flash living space featuring a large glass-bottom pool where the film’s characters frolic. You know a film isn’t having an impact when amidst all the lashings of science fiction tropes you can only ponder how the pool’s filtration system works. Welcome to ‘Oblivion’, a film that lets the mind wonder to mundane and familiar places within the sci-fi genre although there are a few decent surprises.

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Review – Saving General Yang

9 Apr

yangposter

After a seven year absence the director of ‘Freddy versus Jason’, ‘Bride of Chucky’ and ‘Warriors of Virtue’ (yes, the Kung-Fu kangaroo film), Ronnie Yu is back … and as mediocre as ever with ‘Saving General Yang’.

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